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In a dystopian near future, humanity has been ravaged by a mysterious fungal disease. The afflicted are robbed of all free will and turned into flesh-eating 'hungries'. Humankind's only hope is a small group of hybrid children who crave human flesh but retain the ability to think and feel. The children go to school at an army base in rural Britain, where they're subjected to cruel experiments by Dr. Caroline Caldwell (Glenn Close). School teacher Helen Justineau (Gemma Arterton) grows particularly close to an exceptional girl named Melanie (Sennia Nanua), thus forming a special bond. But when the base is invaded, the trio escape with the assistance of Sgt. Eddie Parks (Paddy Considine) and embark on a perilous journey of survival, during which Melanie must come to terms with who she is.
United Kingdom, the near future. In a secret lab in solitary confinement under the supervision of every second contains the children about the same age - 10-12 years. Every morning they gunpoint tightly tied to a wheelchair and taken to the premises, serving a school class. There's a beautiful woman Helen Justin (Gemma Arterton) tells the ancient Greek myths, then the children are sent back to the camera, fed live worms and left alone. young Melanie (Sennia NASU) stands out among the countries of the inhabitants of this prison-lab - black girl very fond of Justin seems precocious.
Periodically, the narrow opening in the cell door watching the scene elderly Dr. Colwell (Glenn Close) - after that prisoners will not be returned to class in the morning. In the world at this time raging zombie apocalypse that began due to the spread of a mysterious virus. At some point the army of the living dead erupts on the base area and significantly reduces its population - survive only manage to Melanie, Justin, Dr. Colwell and two soldiers. They are sent to the base in London, which seems to be not yet fallen victim to the invasion of zombies.
In the "The Girl with All the Gifts» mutated zombies take decisive revenge for all the years of cinematic indignities, ascended to the top of the food chain, not only, but also all other hierarchies. Directed by Colm McCarthy, known mostly for work on TV (in its track record of such series as "The Tudors," "Sherlock" and "Sharp visors") declares itself as a mature master of genre feature films. His new film, of course, does not make any revolution, but suddenly finds a place for new and interesting statements on the territory, where seemingly everything is up and down is investigated.
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