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How to Get Away with Murder Season 3 DOWNLOAD TORRENT
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A group of ambitious law students and their brilliant criminal defense professor become involved in a twisted murder plot that promises to change the course of their lives.


Year: 2016
Country: USA 
Genre: Drama, Crime, Detective
Duration: ~ 00: 45: 00

Video Quality: WEB-DL 1080p
Format: MKV
Codec: H.264 @ AC3
Video: 1920x1080 at 23.976 fps, MPEG-4 AVC, ~ 5000 kbps avg, 0.101 bit / pixel
Audio Rus: 48 kHz, AC3, 2/0 (L, R) ch, ~ 192.00 kbps avg | Polyphonic voiceover, Kravets |
Audio Eng: 48 kHz, AC3, 3/2 (L, C, R, l, r) + LFE ch, ~ 384.00 kbps avg

A sexy, suspense-driven legal thriller about a group of ambitious law students and their brilliant, mysterious criminal defense professor. They become entangled in a murder plot that will shake the entire university and change the course of their lives.

On Thursday, Ms. Rhimes will present "How to Get Away With Murder," yet another system arrangement from her generation organization to showcase a capable, threatening dark lady. This one is Annalise Keating, a fearsome criminal resistance attorney and law teacher played by Viola Davis. Also, that secures it: Ms. Rhimes, who created Olivia Pope on "Outrage" and Dr. Miranda Bailey on "Dark's Anatomy," has accomplished more to reset the picture of African-American ladies on TV than anybody since Oprah Winfrey. Ms. Rhimes did not simply build an arrangement around one African-American lady. 

She has likewise presented an arrangement of courageous women who ridicule instilled TV traditions and assumptions about the delineation of assorted qualities. Her ladies are power figures with sharp personalities and strong charismas who are regarded, even haughty individuals from the decision first class, not servants or medical attendants or office laborers. Be it Kerry Washington on "Outrage" or Chandra Wilson on "Dim's Anatomy," they can and do get irate. One of the more volcanic emergencies in cleanser musical drama history was Olivia's "Acquire me" tirade on "Embarrassment."

Ms. Rhimes has grasped the trite yet tireless exaggeration of the Angry Black Woman, recast it in her own picture and made it lucky. She has verging on without any assistance stomped an unthinkable even Michelle Obama could not break. Her champions are not under any condition like the bossy, cheeky, salt-of-the-earth regular workers ladies who have been admonishing and uh-uh-ing on screen as far back as Esther Rolle played Florida, the house keeper on "Maude." 

They positively are not as favorable and consoling as Clair Huxtable, the peaceful, exquisite spouse, mother and committed legal counselor on "The Cosby Show." In 2008, analysts as various as the comic Bill Cosby and the Republican strategist Karl Rove concurred that it was the sparkling, if anecdotal, case of the Huxtables that readied America for a dark president and first woman. Indeed, even now, six years into the Obama administration, race remains a touchy, flammable issue in Ferguson, Mo., as well as pretty much wherever with the exception of ShondaLand, as her generation organization is called.

In that multicultural world, there are numerous African-Americans at the highest point of each calling. Be that as it may, notwithstanding when her courageous woman is the main nonwhite individual in the room, it is the exact opposite thing she or anybody around her notification or thinks about. Also, what is most honorable about Ms. Rhimes' accomplishment is that in a business that is still keep running by note-giving, nit-picking, trade off looking for system administrators, her work is kindly free of inspiring good examples, anecdotes and good lessons. 

On "Dim's Anatomy," Bailey is a splendid specialist who threatens assistants. Olivia of "Embarrassment" is the special lady of a wedded president while additionally keeping up a stop and go issue with a dark operations despot. In "How to Get Away With Murder," Annalise is far and away more terrible: She scares law understudies and undermines her better half. Ms. Rhimes began little with Bailey, an auxiliary character, not a star; proceeded onward to the magnetic closest companion Dr. Naomi Bennett on "Private Practice," now scratched off; and afterward pulled out all the stops with Olivia. Presently she is shooting the moon with Annalise.

Furthermore, Ms. Rhimes is working all alone plane, far expelled from an industry that is easily affected to any insight of inhumanity. There are clearly numerous more dark ladies on system TV now, yet most still are commendable sidekicks, similar to the romping, wry street trip buddy Sherri Shepherd played on "How I Met Your Mother." C. C. H. Pounder, who played a straightforward criminologist on "The Shield," has a less-forcing gig on another CBS spinoff, "NCIS: New Orleans." Now she plays a cordial, somewhat nutty restorative analyst. In the event that Shonda Rhimes were responsible for that appear, Ms. Pounder would be the star, not Scott Bakula, and she would wear ivory and cream fashioner suits to wrongdoing scenes in the sound, rule as ruler of her krewe at the Mardi Gras ball furthermore exhort the senator's re-decision battle. 

As Annalise, Ms. Davis, 49, is sexual and even provocative, in a marginally threatening manner, yet the performing artist does not take a gander at all like the normal star of a system dramatization. Overlooking the slender magnificence gauges some African-American ladies are held to, Ms. Rhimes picked an entertainer who is more established, darker-cleaned and less traditionally delightful than Ms. Washington, or so far as that is concerned Halle Berry, who played a space explorer on the late spring smaller than expected arrangement "Surviving." Ms. Davis is maybe best known for her part in "The Help" as a stoic house keeper in the isolated South, a part for which she was named for a best on-screen character Oscar. As it turned out, it was her "Help" co-star Octavia Spencer, playing the cheeky back talker, who won an Oscar.


Category: TV SERIES | Added by: Mikhel
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